[ARN]≫ Download Gratis Zero History William Gibson 9780399156823 Books

Zero History William Gibson 9780399156823 Books

Download As PDF : Zero History William Gibson 9780399156823 Books

Zero History William Gibson 9780399156823 Books

I've just finished reading Zero History by William Gibson for the third time. I've been giving it a lot of thought.I got hooked on William Gibson starting with Neuromancer all the way through his Bridge and Sprawl trilogies, and now what is loosely referred to as the Blue Ant Trilogy (which is sometimes referred to as the Bigend Trilogy) consisting of Pattern Recognition, Spook Country and Zero History. One of my favorite characters in all literature, Milgrim, was introduced in Spook Country and becomes a fascinating key character in Zero History as well, but I'm getting ahead of myself already.

So let me address Zero History specifically. The entire Bigend series has been an extreme, and I would guess, very deliberate departure from the previous Gibson dystopian-based books such as Neutomancer and the Bridge and Sprawl Trilogies. Those were all great books to be sure. Zero History is, plot wise, a real puzzler for many Gibson fans. There is the sense by many that Gibson has "lost his way" and perhaps even grown "contemptuous" of his own readership; the very ones that made his name famous. I'm really not sure what his motivation has been in writing these books and quite frankly, I don't care. Gibson's writing skills are such that Zero History still represents the same brilliance as his previous works. I've watched a couple of interviews of Gibson and he rambles on in such a manner and at such length that it is hard to follow his reasoning as far as his own writing process goes. When Gibson speaks of his own writing style he seems to be saying that he doesn't really start off with any specific plot or work on any of that beforehand but he says he allows the narrative that takes place as he writes to move the story forward (if I understood him correctly). In any event, as for Zero History, he seems to be fascinated with exploring the common standard global practice of corporate espionage, innovative marketing techniques, etc., which are the very foundation of our current global infrastructure and capitalist societies.

Zero History proves again that Gibson is, as always, a master of the English language. He constructs some of the most interesting sentences I have ever read. In addition, his vocabulary is absolutely awe-inspiring. I have often said that I would hate to go up against Gibson in a Scrabble game (not that I'm necessarily any good at Scrabble in the first place.)The man is absolutely a walking dictionary and encyclopedia. He seems to know about more obscure trivia than anyone I have ever read. It may be a good idea for some to either read his books on an e-book or have a good dictionary and encyclopedia nearby when reading.

There is a common complaint about Zero History that keeps cropping up again and again: many have commented on on what I feel is an unfair and even ridiculous criticism of Zero History for it's use of popular product placements throughout the book. Apple products in particular seem to be a prime target of those criticisms. However, Apple is a perfect example of what this book is about in the first place. Just so you know: I have never owned an Apple product in my life. Anyway, like the Gabriel Hounds products that are the primary focus of Bigend's corporate espionage, Apple seems to act as a kind of literary corporate counterpoint to the whole obscure Gabriel Hounds jeans thing. Both products are highly desired products for those who can afford them and who are also among the "hip" and "in the know" kind of people who chase after the latest, greatest products. The desirability of these products increases proportionately to their higher cost and even better: their hard-to-find/get nature.

I initially had some problems with some of the characters in Zero History, but by the end of the book, I realized how brilliantly these characters were realized. As previously mentioned, Milgrim is my all-time favorite character in the Gibson pantheon. Milgrim is a kind of archetype of sorts. He is a man-child being reborn; initially a true enigma; a burnt out drug-addict with a serious panic/anxiety disorder. It is fascinating to observe Milgrim's rebirth and development under the control of Bigend, the man behind the scene. Milgrim IS the man with zero history being put back together--reconstituted/rebuilt--by Bigend just because Bigend has the money, power and curiosity to do so. Bigend is, in this particular guise, a kind of Dr. Frankenstein. Instead of putting together a human being from dead men's parts, however, he uses the dead soul of a drug addict (Milgrim) instead just to see what will become of it all.

While Milgrim is perhaps the most fascinating character in the lineup, the key protagonist actually Hollis Henry, a former singer with a band called the Curfew. She reluctantly becomes another one of Bigend's corporate agents--a corporatespy if you will on a very specific mission-- for Bigend. Bigend himself is the creepy, spoiled Belgian super wealthy corporate magnate who is constantly coming up with all of these what-if schemes to satisfy his own curiosity. Money, however, is not really Bigend's motivation: Bigend has so much wealth and apparently such a lot of time on his hands that all he has to do is find means of satisfying his own obsessive compulsions and curiosities about things that matter little to the vast majority of humankind. Hollis is really not a terribly strong character and falls in with Bigend once more simply on the basis of financial need (like most of us). The inability of Hollis to say "no" to Bigend renders her as little more than another one of his pawns in his game of corporate dominance. In fact, the bulk of the characters in Zero History are little more than the puppets of this Grand Puppetmaster, "Just Call Me Curious", Bigend. They seem to lack any real will of their own when they're in the presence of this master manipulator of their minds and wills. Bigend always finds a way to keep them hooked and interested in his missions.

There is no question that Zero History is different than his previous "cyber-punk" writings. The entire Bigend Trilogy is different and a distinct departure from his previous writings. I do not think that justifies dismissing Gibson simply because they are so different. Why lock writers or any artist into a rut? I enjoy it when artists spread their wings and explore different things. I especially do not understand those who claim that they simply stopped reading Zero History after 30 minutes or some such nonsense. I mean, to each his or her own, but in my opinion that invalidates their opinion entirely. That reminds me of those people who rave on about this or that movie who have never actually gone to see it but are reacting only to the opinions of others or some media hype. As I've said before, I loved all of the previous writings of Gibson, and I initially had some readjustments to do with this trilogy, but having thoroughly given it a fair examination, it has become another favorite of mine in my Gibson collection. I respect it's differences. I do not see it as some kind of cheap, sell-out product endorsement of Apple products or any other product. Again, that misses the point of the use of Apple products as a iconic type of product that Gibson is purposely using as an example from which to base his mysterious Gabriel Hounds products on. I get the fact that many of you don't seem to be interested in things corporate. But again, corporations are one of the key components of the fabric of our society and Gibson explores it brilliantly. Please read Zero History ALL the way through before judging it. Better yet, read the entire trilogy--Pattern Recognition, Spook Country, Zero History--before making your opinions known.

As for me, Zero History is a very fascinating read and now that I've read it for the third time, it will remain among my favorite books. It just keeps getting better with every new read. Highly recommended for those who simply enjoy great writing.


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Zero History William Gibson 9780399156823 Books Reviews

No spoilers here, except what you get from my title I thought the book was decent entertainment, until the end, which made me want to howl.

Gibson has followed a somewhat unusual arc as a writer from Neuromancer, a ground-breaking work of fantasy and science fiction, to the current Bigend Trilogy, which take place in the same world that the reader lives in -- although not, in most cases, the same strata of that world. While the characters and plot of "Pattern Recognition" are a bit fantastic, the events of "Spook Country" are utterly plausible; the characters unusual, but not unusually unusual. This doesn't make them boring or uninteresting, but rather makes them more engaging, at least to me. "Zero History" starts out in this direction, but then reaches back into a science fiction ploy in order to resolve a difficult situation near the end of the plot. In the last few pages, it gets even weirder, with Bigend revealing -- for absolutely no purpose related to the plot, but perhaps as a lead-in to the next novel, something absolutely astonishing that would fit in perfectly with Neuromancer, but simply seems a mix of unnecessary and improbable.

I said I wasn't going to spoil the ending, and I won't, but I will just say that it all seems to fall apart at that point. Bigend, who is a master of secrets, tells his ultimate secret -- not under duress, or to answer some other need, but as a silly boast. There's no need for it. It is a supremely stupid thing for someone who doesn't do stupid things to do.

Let's just say that if there is a fourth book in this series, at the end we find out whether Bigend is the ancestor of Ashpool or Tessier, because that's where this is going. And I find this a disappointing regression.
I feel my review could be mych more focused for this book, but I came to read “only” about 10 years after I read the previous title of the trilogy. Even though past events don’t real,y matter on this book, the character build up was completely lost on me, I only had the slightest memory of one or another character.

Nonetheless, this is premium Gibson at work. Unlikely charcters in an unlikely story about facets of our culture that are real, all around us, and still we don’t see it unless someone shifts our attention to it.

Funny thing is, as soon as the Hounds narrative began, I was suddenly assaulted by a fuzzy feeling of “I heard this before”, and suddenly recalled this conversation I had a few months ago, so, years after the release of the book, with a girl and some friends, about a fashion brand that is selling some pretty common itens for an outrageous price, not very hush hush, but hard to cone by.

And that’s the kind of thing that is glorious about Gibson how the story travels among unknown, however real, aspects of the darker corners of modern life. A real cyberpunk, so to speak. And as usual, the author does that in a very sensible way, that is, no sudden outbursts of adventure, big shootouts, or usual villains, only the most sensible, and even boring, in a good way, translation of reality.

Maybe not a master piece, certainly not something for someone new to William Gibson, but undoubtly a wonderful gift to those who already know his work.

Last but not least, regarding the audible version that allowed me to taste this work whenever I couldn’t read per se. Awful. Just awful. The attempt to convince you that a certain dialog belongs to a woman, or even when it changes from one man to another, is almost an insult to listeners. Penguim should certainly rise to the quality of the Star Wars audiobooks, or the one from American Gods, both of which go to enough lengths not to let the listeber lost as to who’s saying what.
I've just finished reading Zero History by William Gibson for the third time. I've been giving it a lot of thought.I got hooked on William Gibson starting with Neuromancer all the way through his Bridge and Sprawl trilogies, and now what is loosely referred to as the Blue Ant Trilogy (which is sometimes referred to as the Bigend Trilogy) consisting of Pattern Recognition, Spook Country and Zero History. One of my favorite characters in all literature, Milgrim, was introduced in Spook Country and becomes a fascinating key character in Zero History as well, but I'm getting ahead of myself already.

So let me address Zero History specifically. The entire Bigend series has been an extreme, and I would guess, very deliberate departure from the previous Gibson dystopian-based books such as Neutomancer and the Bridge and Sprawl Trilogies. Those were all great books to be sure. Zero History is, plot wise, a real puzzler for many Gibson fans. There is the sense by many that Gibson has "lost his way" and perhaps even grown "contemptuous" of his own readership; the very ones that made his name famous. I'm really not sure what his motivation has been in writing these books and quite frankly, I don't care. Gibson's writing skills are such that Zero History still represents the same brilliance as his previous works. I've watched a couple of interviews of Gibson and he rambles on in such a manner and at such length that it is hard to follow his reasoning as far as his own writing process goes. When Gibson speaks of his own writing style he seems to be saying that he doesn't really start off with any specific plot or work on any of that beforehand but he says he allows the narrative that takes place as he writes to move the story forward (if I understood him correctly). In any event, as for Zero History, he seems to be fascinated with exploring the common standard global practice of corporate espionage, innovative marketing techniques, etc., which are the very foundation of our current global infrastructure and capitalist societies.

Zero History proves again that Gibson is, as always, a master of the English language. He constructs some of the most interesting sentences I have ever read. In addition, his vocabulary is absolutely awe-inspiring. I have often said that I would hate to go up against Gibson in a Scrabble game (not that I'm necessarily any good at Scrabble in the first place.)The man is absolutely a walking dictionary and encyclopedia. He seems to know about more obscure trivia than anyone I have ever read. It may be a good idea for some to either read his books on an e-book or have a good dictionary and encyclopedia nearby when reading.

There is a common complaint about Zero History that keeps cropping up again and again many have commented on on what I feel is an unfair and even ridiculous criticism of Zero History for it's use of popular product placements throughout the book. Apple products in particular seem to be a prime target of those criticisms. However, Apple is a perfect example of what this book is about in the first place. Just so you know I have never owned an Apple product in my life. Anyway, like the Gabriel Hounds products that are the primary focus of Bigend's corporate espionage, Apple seems to act as a kind of literary corporate counterpoint to the whole obscure Gabriel Hounds jeans thing. Both products are highly desired products for those who can afford them and who are also among the "hip" and "in the know" kind of people who chase after the latest, greatest products. The desirability of these products increases proportionately to their higher cost and even better their hard-to-find/get nature.

I initially had some problems with some of the characters in Zero History, but by the end of the book, I realized how brilliantly these characters were realized. As previously mentioned, Milgrim is my all-time favorite character in the Gibson pantheon. Milgrim is a kind of archetype of sorts. He is a man-child being reborn; initially a true enigma; a burnt out drug-addict with a serious panic/anxiety disorder. It is fascinating to observe Milgrim's rebirth and development under the control of Bigend, the man behind the scene. Milgrim IS the man with zero history being put back together--reconstituted/rebuilt--by Bigend just because Bigend has the money, power and curiosity to do so. Bigend is, in this particular guise, a kind of Dr. Frankenstein. Instead of putting together a human being from dead men's parts, however, he uses the dead soul of a drug addict (Milgrim) instead just to see what will become of it all.

While Milgrim is perhaps the most fascinating character in the lineup, the key protagonist actually Hollis Henry, a former singer with a band called the Curfew. She reluctantly becomes another one of Bigend's corporate agents--a corporatespy if you will on a very specific mission-- for Bigend. Bigend himself is the creepy, spoiled Belgian super wealthy corporate magnate who is constantly coming up with all of these what-if schemes to satisfy his own curiosity. Money, however, is not really Bigend's motivation Bigend has so much wealth and apparently such a lot of time on his hands that all he has to do is find means of satisfying his own obsessive compulsions and curiosities about things that matter little to the vast majority of humankind. Hollis is really not a terribly strong character and falls in with Bigend once more simply on the basis of financial need (like most of us). The inability of Hollis to say "no" to Bigend renders her as little more than another one of his pawns in his game of corporate dominance. In fact, the bulk of the characters in Zero History are little more than the puppets of this Grand Puppetmaster, "Just Call Me Curious", Bigend. They seem to lack any real will of their own when they're in the presence of this master manipulator of their minds and wills. Bigend always finds a way to keep them hooked and interested in his missions.

There is no question that Zero History is different than his previous "cyber-punk" writings. The entire Bigend Trilogy is different and a distinct departure from his previous writings. I do not think that justifies dismissing Gibson simply because they are so different. Why lock writers or any artist into a rut? I enjoy it when artists spread their wings and explore different things. I especially do not understand those who claim that they simply stopped reading Zero History after 30 minutes or some such nonsense. I mean, to each his or her own, but in my opinion that invalidates their opinion entirely. That reminds me of those people who rave on about this or that movie who have never actually gone to see it but are reacting only to the opinions of others or some media hype. As I've said before, I loved all of the previous writings of Gibson, and I initially had some readjustments to do with this trilogy, but having thoroughly given it a fair examination, it has become another favorite of mine in my Gibson collection. I respect it's differences. I do not see it as some kind of cheap, sell-out product endorsement of Apple products or any other product. Again, that misses the point of the use of Apple products as a iconic type of product that Gibson is purposely using as an example from which to base his mysterious Gabriel Hounds products on. I get the fact that many of you don't seem to be interested in things corporate. But again, corporations are one of the key components of the fabric of our society and Gibson explores it brilliantly. Please read Zero History ALL the way through before judging it. Better yet, read the entire trilogy--Pattern Recognition, Spook Country, Zero History--before making your opinions known.

As for me, Zero History is a very fascinating read and now that I've read it for the third time, it will remain among my favorite books. It just keeps getting better with every new read. Highly recommended for those who simply enjoy great writing.